Friday, June 06, 2008

Clint Eastwood to Spike Lee: Shut the Eff Up!


Yeah I don't care how old Clint Eastwood is. I don't think it's a good idea to piss the man off. I think he could still whoop your ass then say something clever.

However, nobody told Spike Lee that. But we're talking about a dude who sued the channel called Spike TV because he thought people would like the channel would have something to do with him. Riiiight.

Dumbass! Anyways he's bitching because Eastwood didn't cast any black people in Flags of Our Fathers which is set in WWII. Y'know, when the military was still segregated.

Lee: There were many African-Americans who survived that war and who were upset at Clint for not having one [in the films]. That was his version: the negro soldier did not exist. I have a different version."..."Clint Eastwood made two films about Iwo Jima that ran for more than four hours total, and there was not one Negro actor on the screen," Lee said. "If you reporters had any balls you'd ask him why. There's no way I know why he did that ... But I know it was pointed out to him and that he could have changed it. It's not like he didn't know."

Well that's nice. But Mr. Eastwood has something for ya: In typically outspoken language, Eastwood justified his choice of actors, saying that those black troops who did take part in the battle as part of a munitions company didn't raise the flag. The battle is known by the image of US marines raising the American flag on Mount Suribachi. "The story is Flags of Our Fathers, the famous flag-raising picture, and they didn't do that. If I go ahead and put an African-American actor in there, people'd go: 'This guy's lost his mind.' I mean, it's not accurate." Referring to Lee, he added: "A guy like him should shut his face."..Defending the racial make-up in his films as historically accurate, Eastwood referred to another of his films, Changeling, which was set in Los Angeles before the city had a large group of African-Americans. "What are you going to do, you going to tell a fuckin' story about that?" he said. "Make it look like a commercial for an equal opportunity player? I'm not in that game. I'm playing it the way I read it historically, and that's the way it is. When I do a movie and it's 90% black, like Bird, then I use 90% black people. "He was complaining when I did Bird (the 1988 biopic of Charlie Parker). Why would a white guy be doing that? I was the only guy who made it, that's why. He could have gone ahead and made it. Instead he was making something else."

Who do you think won?

Source

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